Primary Sources: Books

Carstensen, Georg and Charles Gildemeister. New York Crystal Palace: Illustrated Description of the Building. New York: Riker, Thorne & Co. 1854.

Carvalho, Solomon Nunes. Incidents of Travel and Adventure in the Far West: With Col. Frémont’s Last Expedition Across the Rocky Mountains: Including Three Months’ Residence in Utah, and a Perilous Trip Across the Great American Desert to the Pacific. New York: Derby and Jackson, 1860.

Foster, George G. Fifteen Minutes Around New York. New York: DeWitt & Davenport, 1854.

Foster, George G. New York by Gas Light: With Here and There a Streak of Sunshine. New York: Dewitt & Davenport, 1850.

Foster, George G. New York in Slices. New York: W.F. Burges, 1850.

Greeley, Horace. Art and Industry as Represented in the Exhibition at the Crystal Palace in New York 1853. New York: Redfield, 1853.

How to See the Crystal Palace: Being a Concise Guide to the Principal Objects in the Exhibition. New York: G.P. Putnam & Co., 1854.

Mathews, Cornelius. Pen-and-Ink Panorama of New-York City. New York: Johns S. Taylor, 1853.

Matsell, George Washington. Vocabulum; Or, The Rogue’s Lexicon. Comp. from the Most Authentic Sources. New York: G. W. Matsell, 1859.

Official Catalogue of the New-York Exhibition of the Industry of all Nations, 1853. New York: George P. Putnam & Co., 1853. 

Richards, William C. A Day in the New York Crystal Palace and How to Make the Most of It: Being a Popular Companion to the “Official Catalogue”, and a Guide to All the Objects of Special Interest in the New York Exhibition of the Industry of All Nations. New York: G.P. Putnam, 1853.

Rodgers, Charles T. American Superiority at the World’s Fair. Philadelphia: John J. Hawkins, 1852.

Saunders, Frederick. New York in a Nut-Shell. New York: T. W. Strong, 1853.

Silliman Jr., Benjamin and C.R. Goodrich. The World of Science, Art, and Industry Illustrated from Examples in the New-York Exhibition, 1853-54. New York: G.P. Putnam, 1854.

The Association for the Exhibition of the Industry of All Nations. The Official Awards of Juries. New York, W.C. Bryant & Co., 1853.

Primary Sources: Periodicals

American Quarterly
Brooklyn Daily Times
Gleason’s Pictorial Drawing-Room Companion
Harper’s New Monthly Magazine
Illustrated News
Maine Farmer
New York Daily News
New York Daily Times
New York Herald
Prairie Farmer
Putnam’s Monthly
The Albion; A Journal of News, Politics and Literature
The Daily Comet
The Illustrated Magazine of Art
The New York Times
Weekly Vincennes Gazette

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Bellion, Wendy. Citizen Spectator: Art, Illusion, and Visual Perception In Early National America. Chapel Hill: University of North Carolina Press, 2011.

Bennett, Tony. “The Exhibitionary Complex.” In Culture/Power/History: A Reader in Contemporary Social Theory, by Nicholas B. Dirks. Princeton, NJ: Princeton University Press, 1994.

Bergmann, Hans. God in the Street: New York Writing from the Penny Press to Melville. Philadelphia: Temple University Press, 1995.

Blumin, Stuart M. “Explaining The New Metropolis: Perception, Deception, Depiction.” Journal of Urban History, 11 (1984): 9–38.

Blumin, Stuart M. The Emergence of the Middle Class: Social Experience in the American City, 1760-1900. Cambridge: Cambridge University Press, 1989.

Bredekamp, Horst, Vera Dünkel, and Birgit Schneider. The Technical Image: A History of Styles in Scientific Imagery. Chicago, IL: University of Chicago Press, 2015.

Breidbach, Olaf. “Representation of the Microcosm: The Claim for Objectivity in 19^th-Century Scientific Microphotography.” Journal of the History of Biology 35, no. 2 (2002): 221–50.

Brown, Henry Collins. Valentine’s Manual of Old New York. Hastings-on-Hudson, N.Y.: Valentine’s Manual, 1927.

Burrows, Edwin G. Gotham: A History of New York City to 1898. New York: Oxford University Press, 1999.

Burrows, Edwin, G. “Seeing New York.” In Gotham: A History of New York City to 1898. New York: Oxford University Press, 1999.

Calè, Luisa, and Patrizia Di Bello. Illustrations, Optics, and Objects in Nineteenth-Century Literary and Visual Cultures. New York: Palgrave Macmillan, 2010.

Calefato, Patrizia. “Signs of Order, Signs of Disorder: The Other Uniforms.” In Uniform: Order and Disorder, edited by Francesco Bonami, Maria Luisa Frisa, and Stefano Tonchi, 195–204. Milan: Charta, 2000.

Clinkscale, Marth Novak. Makers of the Piano, Vol. 2, 1820–1860. Oxford: Oxford University Press, 1999.

Costello, Augustine E. Our Police Protectors: History of the New York Police from the Earliest Period to the Present Time. A.E. Costello, 1885.

Crary, Jonathan. Techniques of the Observer: On Vision and Modernity in the Nineteenth Century. Cambridge, Mass.: MIT Press, 1990.

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Gelernter, David Hillel. 1939, the Lost World of the Fair. New York: Free Press, 1995.

Giedion, Sigfried. Space, Time and Architecture. Cambridge, MA: Harvard University Press, 1982.

Greco, Lorenzo. “Social Identity, Military Identity.” In Uniform: Order and Disorder, edited by Francesco Bonami, Maria Luisa Frisa, and Stefano Tonchi, 145–52. Milan: Charta, 2000.

Greenhalgh, Paul. “Origins and Conceptual Development.” In Ephemeral Vistas: The Expositions Universelles, Great Exhibitions, and World’s Fairs, 1851-1939. Manchester: Manchester University Press, 1988.

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Hyman, Linda. Crystal Palace, 42 Street, 1853-54: [exhibition] City University Graduate Center Mall. New York: City University of New York, 1974.

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Kelly, Raymond W. The History of New York City Police Department. New York: New York City Police Department, 1993.

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Schickore, Jutta. The Microscope and the Eye: A History of Reflections, 1740–1870. Chicago: University of Chicago Press, 2007.

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Woloson, Wendy A. Refined Tastes: Sugar, Confectionery, and Consumers in Nineteenth-Century America. Baltimore: John Hopkins University Press, 2002.

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